Painted in 1970, Tres Personajes is regarded as a masterpiece of the artist’s mature period, the synthesis and culmination of a career and a celebration of his approach to universalism in art via color, abstraction and texture. It is an abstract depiction of a man, a woman and an androgynous figure in a rich palette of purple, orange and yellow, with Tamayo's signature rough surface texture, made of sand and ground marble dust mixed into the paint.
Carmen Melián, Head of the Latin American Art department at Sotheby’s, said, “Tamayo introduced abstraction as a possibility in Mexican modernism at a time when the prevalent style was figurative work. Tamayo emphasized formalism while illustrating Mexico’s indigenous past, managing to combine aspects of the modern avant-garde with the language of the native Amerindian cultures, making use of the colors of Mexico in a modern way.”
This painting is featured on the cover of the 1974 book by art historian Emily Genauer, Rufino Tamayo, the most important monograph in English addressing the artist’s career. The work was exhibited in a 1974-75 exhibition, Cent Oeuvres de Tamayo (One Hundred Works by Tamayo), in Paris at the Musée d’Art Moderne de la Ville de Paris and in Florence at the Palazzo Strozzi.
Tamayo was born in 1899 and began his career as a figurative painter when he was in his 20s. In the 1930’s, Tamayo began visiting New York, and he continued to travel between the United States and Mexico for much of his career. Tamayo’s lasting legacy to art history is the re-examination of Cubism and the explication of Mexico’s pre-Columbian history while incorporating elements of the mainstream movements of 20th century art. Tamayo is known for his vivid coloring and innovative use of texture, often incorporating sand and raw pigment into his works.
Tamayo himself was an extensive collector of American post-war artists. One of his lasting legacies is the Museo Tamayo Arte Contemporáneo in Mexico City, which not only displays his works and a collection of 20th century art, but also is one of the premiere collections of Contemporary art in Mexico City. The museum will hold a Tamayo retrospective, Tamayo: A Modern Icon Reinterpreted, from October 26, 2007-January 21, 2008. In his native Mexico, Tamayo is known as a pioneer of modern art and as one of the most important painters of the 20th century.
Carmen Melián, Head of the Latin American Art department at Sotheby’s, said, “Tamayo introduced abstraction as a possibility in Mexican modernism at a time when the prevalent style was figurative work. Tamayo emphasized formalism while illustrating Mexico’s indigenous past, managing to combine aspects of the modern avant-garde with the language of the native Amerindian cultures, making use of the colors of Mexico in a modern way.”
This painting is featured on the cover of the 1974 book by art historian Emily Genauer, Rufino Tamayo, the most important monograph in English addressing the artist’s career. The work was exhibited in a 1974-75 exhibition, Cent Oeuvres de Tamayo (One Hundred Works by Tamayo), in Paris at the Musée d’Art Moderne de la Ville de Paris and in Florence at the Palazzo Strozzi.
Tamayo was born in 1899 and began his career as a figurative painter when he was in his 20s. In the 1930’s, Tamayo began visiting New York, and he continued to travel between the United States and Mexico for much of his career. Tamayo’s lasting legacy to art history is the re-examination of Cubism and the explication of Mexico’s pre-Columbian history while incorporating elements of the mainstream movements of 20th century art. Tamayo is known for his vivid coloring and innovative use of texture, often incorporating sand and raw pigment into his works.
Tamayo himself was an extensive collector of American post-war artists. One of his lasting legacies is the Museo Tamayo Arte Contemporáneo in Mexico City, which not only displays his works and a collection of 20th century art, but also is one of the premiere collections of Contemporary art in Mexico City. The museum will hold a Tamayo retrospective, Tamayo: A Modern Icon Reinterpreted, from October 26, 2007-January 21, 2008. In his native Mexico, Tamayo is known as a pioneer of modern art and as one of the most important painters of the 20th century.
When I first saw this months challenge, I thought WOW, something with color! I had been wanting to try something new with crocheting and ribbon. So I crocheted up a large disk and put a black pendant in the middle...
But when I asked Erin about it...she said not it didn't quite fit...so back to the drawing board. My daughter likes it so I'm going to make it into a necklace for her.
So I decided to try my hand at clay again... In the picture I see a head/face....no one else in my family did....anyway I worked away on creating my face....
after th 4th try I finally had a decent face, so I crocheted a smaller disk and attached the face to it...
Isn't he purty???? Needless to say, I think I need more practice....but...I have a hand made bead that I glued into the bottle cap...so hopefully it will pass muster.... Thanks for looking, below are more pictures...
Thanks for looking! Have a blessed day!
Very interesting materials! The colors are right on too!
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